Tag Archives: philosophy

Philosophy in VR

I was intending to propose the following book proposal to a major publisher. I think, with recent events, I will wait until the end of 2020 before I revisit the project/proposal, but any feedback would be useful (too simplistic, not relevant, missing important key ideas etc)..

Below is an abridged extract:

At various conferences over the years, in game studies, virtual worlds, or philosophy of place, I am continually reminded how easily philosophy has been haphazardly inserted into presentations by game, VR, and media studies scholars. But I have also been surprised at the low level of engagement in VR concepts (in terms of computer science and user experience design) by philosophers.

For example, the famous philosopher Hubert Dreyfus conflated the Internet with the World Wide Web in his book On the Internet. The public may not see a distinction between an international organization of servers, and the software that links the webpages that runs on these servers but it is a crucial distinction to make when you are building and deploying VR. However, Professor Dreyfus also made a philosophical and historical error: using Kierkegaard’s and Nietzsche’s criticisms of the 19th century press to extrapolate that they would have hated the Internet (Dreyfus probably meant webpages, not the Internet).

The Internet is now merging, in fits and starts, with VR. There are massive gaps between the popular concept of VR, the development of VR “in the trenches” and the contextual soundness of the philosophers who talk to the public about VR. And very little literature bridging these communities at an accessible and useful level for university students.

This book aims to clarify conflicting interpretations of virtual reality (VR) in a way that would allow beginning scholars to quickly find key philosophers or methods and apply them appropriately to conceptual problems in the development and evaluation of VR projects. It is not a manual to design VR environments, nor a treatise on philosophy to philosophers, but a guide to explaining how even traditional philosophical questions can be re-examined using current and future VR technologies.

Polynesian Philosophy

I attended a conference at the University of Hawaii on the Philosophy of Place at the East-West Center.  Now philosophers there told me of their struggle to have Eastern philosophers accepted as Western-equivalent, there were criteria. But later, in our session someone from the audience said of course no one in Polynesia “did philosophy”. i did not hear their criteria for this judgement.

Their comment went round and round in my head, and although not my area at all, an idea began to take hold. In the meantime, I will collect little nuggets like this one and try to find more scholarly references:

https://www.travelweekly.com/Asia-Travel/Exploring-Polynesian-culture-beyond-Bora-Bora-Tahiti

Marae Taputapuatea was a sanctuary of great importance, and priests and navigators would come from all over French Polynesia to give offerings to the gods, hold initiation ceremonies and international gatherings, and discuss the origins of the universe.

If you are a scholar at a university in French Polynesia or Hawaii, and also interested in this unsettling declaration, please feel free to contact me..

The Phenomenology of Real and Virtual Places

New edited book out 8 November:

Champion, E. (Ed.). (2018). The Phenomenology of Real and Virtual Places. The Routledge Studies in Contemporary Philosophy series. Routledge. 08 November 2018 (ebook 26 October 2018 9781315106267). ISBN 9781138094079

Feel free to ask Routledge for a review form and book copy..

This collection of essays explores the history, implications, and usefulness of phenomenology for the study of real and virtual places. While the influence of phenomenology on architecture and urban design has been widely acknowledged, its effect on the design of virtual places and environments has yet to be exposed to critical reflection. These essays from philosophers, cultural geographers, designers, architects, and archaeologists advance the connection between phenomenology and the study of place. The book features historical interpretations on this topic, as well as context-specific and place-centric applications that will appeal to a wide range of scholars across disciplinary boundaries. The ultimate aim of this book is to provide more helpful and precise definitions of phenomenology that shed light on its growth as a philosophical framework and on its development in other disciplines concerned with the experience of place.

Foreword byJeff Malpas
Introduction by Erik Champion
1. The Inconspicuous Familiarity of Landscape by Ted Relph2. Landscape Archaeology in Skyrim VR by Andrew Reinhard

3. The Efficacy of Phenomenology for Investigating Place with Locative Media by Leighton Evans

4. Postphenomenology and “Places” by Don Ihde

5. Virtual Place and Virtualized Place by Bruce Janz

6. Transactions in virtual places: Sharing and excess in blockchain worlds by Richard Coyne

7. The Kyoto School Philosophy on Place: Nishida and Ueda by John W.M. Krummel

8. Phenomenology of Place and Space in our Epoch: Thinking along Heideggerian Pathways by Nader El-Bizri

9. Norberg-Schulz: Culture, Presence and a Sense of Virtual Place by Erik Champion

10. Heidegger’s Building Dwelling Thinking in terms of Minecraft by Tobias Holischka

11. Cézanne, Merleau-Ponty, and Questions for Augmented Reality by Patricia Locke

12. The Place of Others: Merleau-Ponty and the Interpersonal Origins of Adult Experience by Susan Bredlau

13. “The Place was not a Place”: A Critical Phenomenology of Forced Displacement Neil Vallelly

14. Virtual Dark Tourism in The Town of Light by Florence Smith Nicholls


Philosophy of Place

Last week at the East-West Centre University of Hawaii was the Philosophers’ Place conference

I have not been to a Philosophy conference for around 25 years but it was a warm and inviting conference in a magnificient I. M. Pei designed venue with its own Japanese garden.

To be honest, a big reason to go was to hear Edward Casey speak. I learnt a great deal about Confucius and to lesser extent Laozi or Lao Tsu (not so much about place) but one question from CHENG Chung-ying (University of Hawai’i) really got me thinking: what exactly is virtuality?

Another big question or two lying in wait is what is philosophy? Do traditional non-western cultures have philosophy. Obviously to the Eastern philosophers there the answer is yes but how each saw as fundamental elements of philosophy was left unsaid.

A third issue, especially for ‘rationalist’ and western-trained philosophers was whether they should spend any time examining mythical beliefs, that was an interesting question at one panel I attended.

As to place and the design of place? I met a few designers and one architect interested in the question, but the majority of attendees seemed happy to just talk about it as if place was a given. Oh well.

Anyway, I recall a visualisation professor telling me he hated humanities conferences because they read full papers! Remembering this, I had a sudden dreadful suspicion I had to also write and read from a full paper when the panel chair emailed and suggested we share our papers first. Now I, being the idiot that I am, thought I had to write and read from a paper as well as deliver slides. I won’t bore you with the slides, but I wrote and sent a 6000 word paper, trying to explain why I was there. And that was to get feedback on hermeneutic environments and phenomenology for the evaluation of virtual places.

So that is what the draft paper circles around. I believe there will be proceedings so I may be asked to complete the paper. But someone may be interested in the draft paper and give me feedback in the meantime! Oh and the other speakers did not write or speak from or distribute written speeches. So I just talked to my slides.. 🙂

So here is the draft paper

 

 

 

 

abstract for 2016 East-West Philosophers’ Conference, Hawaii

Conference website: http://hawaii.edu/phil/2016-east-west-philosophers-conference-update/

Paper Title: Philosophical Issues of Place and the Past in Virtual Reality

There are indisputably many good reasons for finding and restoring heritage sites and artefacts with the most impartial and accurate scientific methods and technological advances. Yet the ICOMOS Burra Charter defines cultural significance in terms of the value of a place as it helps people understand the past, as it enriches the present, and educates future generations, these values can be aesthetic, historic, social or spiritual, (and thus not just scientific). Therefore it does not necessarily follow that the best user-experience for members of the public is purely based on a rigorous scientific perspective, because such a perspective does not fully explain the cultural significance of a place as experienced by the originators of the locally situated culture.

On the other hand, evoking cultural significance may be helped by a philosophical consideration of how specific human experiences can be understood and conveyed. The Dictionary of Philosophy says (on p.464) phenomenology “is the attempt to describe our experience directly, as it is, separately from its origins and development, independently of the causal explanations that historians, sociologists or psychologists might give”. While hermeneutics, it says (on p.274-5), “explores the kind of existence had by beings who are able to understand meanings, and to whom the world is primarily an object of understanding (rather than, say, of sense-perceptions)”.

I wish to investigate whether an approach that would best utilise multimedia and the differing multimodal ways in which we learn and experience the outside world would be phenomenological and hermeneutical. In other words it would attempt to understand how the way individual societies experience the world, how they interpret the world to themselves and to each other, how their cultural signs are made, modified, and learnt. It would also attempt to discover how the horizons of current visitors could be nudged out of balance by being either overwhelmed by encounters with genuine alterity (that is, sense of otherness), or by gradually learning how to be accepted in this totally different phenomenological world.

A further pressing issue in the design of virtual places and especially in the design of virtual heritage environments is to avoid the ‘museumization’ and ‘Western’ viewpoint as forewarned by Ziauddin Sardar and others. Can this technology help provide an appropriate sense of alterity and an appropriate situated sense of place?

References

ICOMOS, (1999).‘The Burra Charter: The Australia ICOMOS charter for the conservation of places of cultural significance’, http://www.icomos.org/australia/burracharter.html.

Mautner, T. (2005). Dictionary of Philosophy (Penguin Reference, 2nd edition, Suffolk United Kingdom: Penguin, Books, p. 464 and p.275.

Sardar, Z. (1996). alt.civilizations.faq: Cyberspace as the Darker Side of the West. In Cyberfutures: culture and politics on the information superhighway, ed. Ziauddin Sardar and Jerome Ravetz, 14-41. London: Pluto Press.

Aliens and carpentry, philosophers, books, and mediation

I wrote the below post to the blog Words in Space by Shannon Christine Mattern.

I don´t know if it will be posted or replied to but maybe I should not have written it, my comment is a fishing hook in the ocean of a vast and surging question.

I have not read the book yet so this comment is ah floating, but in response to “philosophical works generally do not perpetrate their philosophical positions through their form as books” (93).”
I guess I wonder if he means the form has to create most of the content, or that it shapes some of the content as impact on the reader, or that it has to have a significant effect on the impact.
Also, philosophical works are not necessarily books as such (as he would know, being an Ancient Greek scholar), so if I take the sentence to mean philosophers don’t really consider the shape or form of their book, a couple of counter examples come to mind (if we can extend to writers who write philosophically)
-Steppenwolf by Hesse (the starting sentence is actually part of a look with the ending sentence)
-Kafka
-Philosophical investigations by Wittgenstein
-Kierkegaard
-and I would like to say Nietzsche but that is perhaps controversial.
It is a good thing to think about anyway, thanks for the interesting post.
(I am not sure if the fourfold notions in Heidegger´s philosophy of art, i.e. the silversmith, were inspiration, but they may be of interest to some, especially designers.)