Tag Archives: preservation

New Journal article out in print

  • Champion, E. (2018). Computer Games, Heritage and Preservation. Preservation Education & Research, published by the National Council for Preservation Education, USA. URL: http://www.ncpe.us/about-ncpe/ Not yet online.

Abstract

The video game industry is a profitable one. Juniper Research predicted that worldwide it would pass 100 billion dollars in revenue in 2017 (Graham 2017). Virtual heritage (sometimes defined as the application of virtual reality to cultural heritage), has been an academic field of research for at least twenty years (Addison 2001). In recent years, there has been increasing synergies between video games and virtual reality, thanks to increasingly powerful computers and the development of consumer-priced head mounted displays (HMDs), see-through augmented reality HMDs (such as the Microsoft HoloLens or Meta’s Meta 2), and smart-phone based augmented reality systems. In archaeology there has been recent investigations of “archaeogaming”, defined as “the archaeology in and of video games” (J. Aycock & Reinhard 2017), while virtual heritage designers are moving away from the principle goal of photo-realism, towards the potential of interpretation and conceptual learning (Roussou 2005).

PhD Scholarships-Cultural Heritage & Visualisation

There are 2 PhD scholarships now open at Curtin University, for students interested in 3D models of heritage sites, community participation, heritage issues and preservation of the 3D models themselves:

http://scholarships.curtin.edu.au/scholarships/scholarship.cfm?id=2782.0

 

digital heritage models

Digital Archaeology and virtual heritage are not exactly equivalent but I have not seen a paper putting forward a clear definition and relationship. Perhaps that is why a Digital Heritage conference could be attended by archaeologists, archivists, museum experience people, interaction designers, programmers, scanning experts, librarians or museum people. Seldom are they all together, let alone in the same sessions.

If UNESCO and related organizations wish to preserve digital cultural heritage they will have to clearly distinguish between CAD model repositories and online web models (one can have both in one but is it too much of a compromise?)

Another issue is that charters developed for digital heritage, UNESCO digital heritage charter, London Charter, Seville Principles, Burra charter, ICOMOS Venice charter, are read but not used in the creation and storage of most projects.
My solution would be to build a template that is both a heuristics and an information collector that would be used to create suitable meta-tags and classification, based on a hybrid practical implementation of the charters as a query form that helps relate models to ontologies and to other digital collections.