Tag Archives: 2012

cfps September 2012 onwards

START*DUE*CONFERENCETHEMELOCATION
11-Dec-1223-Sep-12Cultural heritage onlineCULTURAL HERITAGE on line – Trusted Digital Repositories & Trusted ProfessionalsFlorence Italy
13-Nov-1217-Sep-12ambient gamingSecond International Workshop on Ambient Gaming (AmGam’12) AND AESTHETICS (13)Pisa Italy
19-Nov-1228-Sep-12vast2012International Symposium on Virtual Reality, Archaeology and Cultural HeritageBrighton UK
27-Apr-135-Oct-12CHI2013Paris France
26-Mar-1310-Oct-12CAA2013Across Time and Space:Computer Applications in Archeology (sessions and workshops)Perth Australia
20-Feb-1326-Oct-12Digital PastNew technologies in heritage, interpretation and outreachWales
16-Jul-131-Nov-12Digital Humanities 2013University of Nebraska-Lincoln, USA (2013)Nebraska USA
25-Sep-1311-Nov-12EAEA2013Envisaging ArchitectureMilan Italy
7-Apr-1313-Nov-12SIMAUDSimulation vor Architecture and Urban designSan Diego, CA
14-May-1310-Dec-12FDG 2012Foundations of Digital GamesCrete
27-Jun-1331-Dec-12xCoAx Computation Communication Aesthetics and XBergamo, Italy
2-Sep-138-Jan-13interact 2013designing for diversityCapetown South Africa
1-Jul-131-Feb-13CAADFUTURES2013Global Design & Local MaterializationShanghai China
23-Oct-12DHORealising the Opportunities of Digital HumanitiesDublin-Maynooth Ireland
25-Oct-12Measuring the public valueMeasuring the public value of arts and humanities researchDublin Ireland

abstract for “Digital Humanities Congress 2012” @ Sheffield UK accepted

I wrote the below abstract for Digital Humanities Congress 2012 at the University of Sheffield, 6th – 8th September 2012
http://www.shef.ac.uk/hri/dhc2012

Title: Research As Infrastructure
Abstract:
In the edited book Debates in the Digital Humanities, edited by Matthew Gold, the chapter “The Digital Humanities or a Digital Humanism” by Dave Parry raised the controversial question as to whether Digital Humanities should be the application of computing, or an inquiry as to how digital media has irrevocably changed the Humanities. While this may appear to be a very theoretical issue, the debate has major practical consequences. For example, I have been entrusted with managing the development of a national research infrastructure for the Digital Humanities. This task may seem to involve logistics, technical details, and general funding issues. However, before we even get to that stage we have major fundamental, political and theoretical challenges.
We currently have four universities as partners, the national library (or libraries) should be joining soon, and hopefully the major museums will follow. Our government has asked that we include as many as possible, a noble goal, but in practice we have hit a major roadblock. How does one create a national focus while allowing academics and other researchers to pursue their own specific goals? This also raises a deeper question, what are the boundaries of the Digital Humanities pertinent to our researchers, beyond which we should not tread? Having discovered our niche, or niches, how can we focus on key research areas important to our country in particular, without becoming cut off from international networks?
Of course there are perennial questions such as how can one develop an infrastructure five years ahead, based on catering for technology that we are not yet using? How can a distributed network allow for unified identity and individual planning? This leads us to a more pragmatic issue of which resources are best managed centrally, and which are best distributed. These more technical issues do however return us to a central problem: how one create a centre for something that has no physical centre, unifying traditionally disparate and sceptical disciplines, without restricting them or discriminating between them?

So now my task is to solve the problems so I can deliver the paper!

cfp: Culture Matters 2012 conference, Norwich, UK, 14-16 Nov 2012

Capturing the social and economic value of cultural heritage: Perspectives and projects from across Europe,
14 – 16 November 2012

Norwich, United Kingdom

Can cultural heritage improve cities and regions? Can it boost the educational and life prospects of citizens? Does it have a role to play in urban regeneration? The answer to all these questions is a resounding yes. And at a time of economic austerity and funding constraints, creative cities and cultural leaders are finding new ways to work together, to explore opportunities and to turn ideas into reality.

Call for Papers

The conference will provide a platform for practitioners and academics from across Europe to share knowledge, challenges and ideas. Practitioners and academics are invited to submit abstracts that explore the following themes for presentation at the conference:

  • Social value
  • Economic value
  • Technological developments
  • Marketing
  • Cultural heritage as a regeneration driver
  • New audience development
  • Income generation

Full details of these themes can be found at the conference website.

The deadline for submission of a 300 word abstract is 20 April 2012. Decisions will be made by 4 May 2012.

CFP : Taking Archaeology Digital, A Conference on the Use of New Technologies in Archaeology

University of Puget Sound, Oct. 25-28, 2012, Canada
URL: http://archaeology.pugetsound.edu/RedfordConference2012/index.html

Technology is changing our world in ways that previous centuries could not have imagined, and it is a constant struggle for us to keep up with these frequent changes and innovations. While archaeology is a very old practice, only in the later 20th century was it given serious methodological consideration, and now, in the 21st century, this explosion in the availability of technological tools offers the potential to transform the practice of archaeology. But the mere existence of a new tool, no matter how fun and exciting it might seem, does not necessarily translate into good use of that tool. This is the theme we hope to address in the upcoming Redford Conference in Archaeology at the University of Puget Sound, October 25-28, 2012.

We invite proposals for papers and presentations that explore the question of how archaeologists can best make use of the vast range of possibilities that technology opens up. We are particularly interested in presentations from people who may have already had some experiences in trying to fit new technologies into archaeological practice. Often those who study the past have had difficulty adapting their practice to the existence of new tools, and one goal is to help us learn from the experiences of others.

Some issues we hope to address include:

  • How do technological tools allow archaeologists not only to do their work differently, but better?
  • What kinds of new questions do these tools allow us to ask, and why are those questions useful to a broader understanding of the ancient world?
  • How is the processing of archaeological material after an excavation affected from archiving data through to publication?
  • How can we maximize the possibilities offered by the new digital technology?

While all areas relating to the question of how to make technology work best for archaeologists are open, we anticipate focusing our discussions on three areas and especially encourage submissions that relate directly to them:

  • Fieldwork: How do traditional archaeological methods intersect with digital technologies? What problems can technology help us solve in the field? And just as important, perhaps, how might the limitations of these technologies hinder us or, at the very least, not help us in our fieldwork?
  • Archiving: If technology increases the amount of information we gain from the field, how can this information be stored so that it can be efficiently accessed again in the future? How can we account for future changes in technology that might make current storage techniques obsolete? How can we avoid the loss of data when that happens, and mitigate any problems that the technological change-over might present?
  • Publication: What possibilities for publication are opened up by digital technology? How can we make these new electronic publications more valuable, and increase the quality and not just the quantity of the published material? Is peer review still important, and how will it be connected to the new publication possibilities?

The conference will include both demonstrations of technological innovations as well as critical discussion of the value of such innovations. Confirmed speakers include:

  • Nick Eiteljorg II, Center for the Study of Architecture
  • Sebastian Heath, Institute for the Study of the Ancient World
  • Norbert Zimmerman, Vienna Academy of Sciences

Proposals for papers should be sent to Eric Orlin at eorlin. The deadline for receipt of proposals is April 1, 2012. Some subsidies may be available to help offset travel costs for speakers.

Call For Papers – SIGraDi 2012

The XVI SIGraDi Conference will take place in Fortaleza, Brazil, between November 14th and 16th 2012, focusing the debates on the theme form[in]formation. The challenges and efforts of our times are related to information. They deal with the progressive processes in which data is organized, and how this information can be communicated in various shapes and perceived as knowledge. Contemporary processes of design and production of the object, architecture and the city, require the digital manipulation of information. This manipulation allowed the resurgence of design processes based on emerging shapes, using algorithms and grammar; it is this digital progress that allows for the information management of BIM and other protocols of collaborative tasks; it also allows the idea formation in virtual realities, or even incorporated by the matter itself, through CAD-CAM technologies.

It is this process of formation, this continuos flux of reducing entropy, that comprises our matter. It is acknowledging this flux that we propose the XVI SIGRaDi Conference: the investigation of the processes of form[in]formation.

The sub themes for SIGraDi 2012 are related to the new procedures, media and practices of urban and architectonic design, the diverse manifestations of art, and design. The abstract submission should consider this multiplicity, choosing the topic that best suits the approach or envision of the work, according to the following tracks:

  • Poetics of design
  • Information modeling and Simulation
  • Information design and interface
  • Design Process
  • Collaborative environment as a support for design
  • New production systems
  • Teaching strategies and curriculum

Schedule and abstracts

We invite you to submit abstracts with a maximum of 600 words until April 15th 2012. Abstracts may be written in Spanish, Portuguese or English. You must also indicate your work interest area, approach and category. You can add five (5) keywords and a synthesis image.

Abstracts will be reviewed and evaluated through a blind peer review process by an International Scientific Committee. Criteria for acceptance are relevance, originality, premises, level of development and clarity of presentation.

The notification of acceptance is expected before July 15th 2012, and the full papers can be submitted until September 15th 2012.

All conference information and communication will be available through the conference website http://www.sigradi2012.com.br and through email contato@sigradi2012.com.br