CAADRIA 2013 Final Call for Papers – Extended deadline: September 9

CAADRIA 2013 Open Systems – Final Call for Papers

Abstract due September 9, 2012

Open Systems

The 18th International Conference of the Association of Computer-Aided Architectural Design Research in Asia (CAADRIA)

May 15-18, 2013

National University of Singapore

http://www.caadria2013.org

Contemporary challenges require inclusively integrated approaches to designing. Constrained by established modes of practice, such integration is impossible without a radical commitment to openness. In response to this need, CAADRIA 2013 invites contributions that engage with open systems in all aspects of architectural and urban design: open with respect to the scale of the design objectives and the context, from a building component within a building system to a neighbourhood or city within its urban and rural context; open with respect to the domains being considered, from planning to sustainable performance of a building or city; open with respect to the collaboration of disciplines and participants, from ad-hoc brainstorming to a rigorous process of consultation and feedback; open with respect to design methods and techniques, from physical modelling to digital prototyping; open with respect to design models and representations being adopted, from a parametric exploration to an ontological delineation considering Building Information Modelling, Built Environment Modelling or City Information Modelling; open with respect to the tools and applications being adopted, despite interoperability issues, from modelling to simulation and assessment; open with respect to the learning approach being adopted, from informal interaction and sharing to formal design education; open with respect to the open source approach being adopted in research and development, in order to gather community involvement and use.

By focusing on the theme of Open Systems, CAADRIA 2013 aims to explore all these aspects and more, and raise awareness to the need of overstepping disciplinary boundaries and reaching creative communities at all levels of expertise, by pooling resources, knowledge and practices, and integrating them through the adoption of open systems.

CAADRIA 2013 invites submissions of original research papers on topics in computational architectural design research, including but not limited to the following subjects:

· Computational design research and education

· Modes of production

· Digital fabrication and construction

· New design concepts and strategies

· Mass customization

· Collaborative design

· Digital aids to design creativity

· User participation in design

· Generative, parametric and evolutionary design

· Virtual architecture

· Shape studies

· Virtual reality and interactive environments

· Precedence and prototypes

· Ubiquitous and mobile design computing

· Design tool development

· Human-Computer Interaction

· Simulation, prediction, and evaluation

· City modelling

· Practice-based and interdisciplinary computational design research

· Theory, philosophy and methodology of computational design research

CAADRIA 2013 also invites submissions of practice work in the form of a poster + abstract (deadline: December 1, 2012). A special conference session on Open Systems in Practice will be dedicated to these presentations. Accepted submissions will also be included in the conference proceedings.

Young researchers currently involved in postgraduate studies are invited to apply for the Young CAADRIA Award and to submit their research-in-progress to the CAADRIA 2013 Postgraduate Student Consortium.

Important Dates

· Abstract submission deadline: September 9, 2012

· Notification of abstract acceptance: October 1, 2012

· Full paper submission deadline: December 1, 2012

· Presentation submission deadline: December 1, 2012

· Postgraduate Student Consortium submission: December 1, 2012

· Young CAADRIA Award submission: December 1, 2012

· Notification of paper acceptance: January 15, 2013

· Notification of presentations acceptance: January 15, 2013

· Registration deadline: February 1, 2013

· Camera ready paper submission: February 15, 2013

· Camera ready presentation submission: February 15, 2013

CAADRIA 2013 Organising Committee-National University of Singapore

Conference Chair: Tan Beng Kiang

Vice Chair: Patrick Janssen

Rudi Stouffs

Shinya Okuda

Huang Yi Chun

Dorothy Man Mai Ling

Contact: caadria2013

CFP: V!RUS JOURNAL ISSUE #8 : RE:PRE:SENT

The 8th issue of V!RUS journal proposes a reflection on Represent. The word comes from the Latin repraesentare and contains two prefixes. The first is re-, which means ‘backwards’, suggesting a reiteration of something, and the second is prae-, which means ‘ahead’, ‘before then’, and refers to something that would still be to come. The two prefixes are linked to the verb sedere, meaning ‘to seat’, ‘to sit’, designating what is established, defined. From this standpoint, RE:PRE:SENT involves at the same time a gesture related to a pre-existence, to what had or to what has already been (re-), associates it with a look at what is not yet, to what might be (pre-), and transforms the act of definition, of settlement, of permanence (sedere).

The three basic meanings that William of Ockham assigns to represent also help us to anticipate possible approaches to this theme: 1. the mediation itself, as “that through which something is known”; 2. the processes of representing as a possibility to “know something, after whose knowledge another thing is known”; and 3. the status of object that the representation may assume related to the represented object, able to “cause knowledge in the same way as the object causes knowledge”.

We therefore propose that the subject RE:PRE:SENT encompasses diverse temporalities and meanings, fostering transdisciplinary thinking coming from many knowledge areas. Will be welcome theoretical, conceptual and historical reflections, as well as records of performances, experiences and practices of artistic and audio-visual works, including interventions in the areas of architecture, urbanism, design, communication and information technology, whether in concrete, virtual or hybrid spaces, and specific studies on software and digital interfaces and their applications, prioritizing those for social and community use. Likewise, we hope to complexify this reflection with contributions from the social sciences, education, philosophy, psychology and mathematics, among other areas, as well as from studies on public policies and social-environmental sustainability.

We are interested in papers that discuss RE:PRE:SENT from various inputs, such as communication, reading and creation processes, narratives study and implementation, rather using digital platforms mediation, tangible or not, on one hand; processes of approaching distant realities, using representation as a mean to bring closer what is far away – in many ways –, exploring concepts such as multiculturalism and transdisciplinarity, and the potentialities of the so called online social networks in these approaches, as well as the very notion of having as reference thoughts and works produced in cultures geographically or socially distant, on the other hand. Relating the topic to cybernetic studies and of complex thinking, we understand re:pre:sent as an observation process even able to modify the represented object, and as the relationship between representation, the represented object and its observers, constituting parts of a system.

Beyond texts and static images, will be welcome musical pieces and testimonials in audio files, architecture, urbanism and design projects and the critical reflection on their conception, short video and films, slideshows, animations, interviews, considering Nomads.usp interest in exploring possibilities of using digital media for science diffusion.

Contributions will be received through the journal’s website until September 17th, 2012, according to the guidelines for authors, available at www.nomads.usp.br/virus/submissao_submission.php.

HTML5 and touch screens

I will be giving a talk on Monday on playful touchscreen interfaces and although built in Flash, Li Wang’s touch screen taoist games may now also work in html 5, and across PC, touch screen PC and mobile touch screens! Great progress seems to have been made.

Some reference links for further exploring

  1. sketchpad online drawing app http://mudcu.be/sketchpad/
  2. tutorial http://www.html5rocks.com/en/mobile/cross-device/
  3. msdn and touchscreen http://msdn.microsoft.com/en-us/hh563503.aspx
  4. with flash http://www.2morodocs.com/2010/05/think-outside-the-computer-touchscreens-html5-flash/
  5. html 5 game examples http://html5games.com/category/iphoneipadmobile/
  6. html 5 drawing on an ipad http://tenderlovingcode.com/blog/web-apps/html5-canvas-drawing-on-ipad/

North and South American research centres in cultural heritage, digital heritage, virtual heritage

USA

  1. Virginia Scholar`s Lab http://www.scholarslab.org/ and Virtual World Heritage Laboratory http://vwhl.clas.virginia.edu/
  2. UCLA http://www.cdh.ucla.edu/ and ETC (http://etc.ucla.edu/) and related library project http://www.cni.org/topics/digital-preservation/laboratory-for-digital-cultural-heritage/
  3. Stanford (archaeology: https://www.stanford.edu/dept/archaeology/cgi-bin/drupal/about-stanford-archaeology-center) and  many DH centres http://humanexperience.stanford.edu/digital
  4. Berkeley-Digital Heritage Egypt http://townsendlab.berkeley.edu/taxonomy/term/330 and courses such as http://anthropology.berkeley.edu/content/studio-multimedia-authoring-archaeology-investigating-past-through-new-media-technologies
  5. Indiana http://iri.informatics.iupui.edu/
  6. MSU http://chi.anthropology.msu.edu/
  7. MIT hyperstudio http://hyperstudio.mit.edu
  8. George Mason University Department of History and Art History, Center for History and New Media (CHNM)

CANADA

  1. Concordia http://digitalhistory.concordia.ca/ and http://storytelling.concordia.ca/ and http://storytelling.concordia.ca/oralhistory/projects/stories-matter2.jpg
  2. Simon Fraser Intellectual Property Issues http://www.sfu.ca/ipinch/
  3. nb virtual museum of Canada http://www.museevirtuel-virtualmuseum.ca/index-eng.jsp and Canadian Heritage Information Network http://www.rcip-chin.gc.ca/sgc-cms/nouvelles-news/anglais-english/
  4. Western Ontario http://www.history.uwo.ca/gradstudies/publichistory/digitalhistory.html
  5. Lavel UNESCO chair in cultural heritage http://www.unesco.org/en/university-twinning-and-networking/access-by-region/europe-and-north-america/canada/unesco-chair-in-cultural-heritage-408/

    NB Issues by IMA http://www.ic.gc.ca/eic/site/028.nsf/eng/00244.html

SOUTH AMERICA (more to be added)

  1. Brazil (research notes) http://webscience.org.br/wiki/images/d/d5/Dodebei.dantas.pdf

Australian and NZ research centres in cultural heritage, digital heritage, virtual heritage

Australian

  1. Deakin University Australia Cultural Heritage and Museum Studies http://www.deakin.edu.au/arts-ed/chcap/ and courses at http://deakin.edu.au/arts-ed/chcap/ch-ms/postgrad-ch-ms.php
  2. Flinders Digital heritage and gaming and.. http://blogs.flinders.edu.au/flinders-news/2012/02/09/preserving-our-digital-heritage/ 
  3. Monash http://www.infotech.monash.edu.au/research/about/priorities/cultural-heritage/
  4. Curtin http://humanities.curtin.edu.au/schools/BE/cultural_heritage.cfm and new digital humanities lab http://blogs.curtin.edu.au/humanities/2012/05/09/new-labs-nurture-digital-creativity-at-curtin/
  5. UNSW http://monash.edu/research/capabilities/leading/cultural.html
  6. University of Queensland has a course in digital heritage http://www.uq.edu.au/study/course.html?course_code=MUSM7011
  7. University of Canberra Cultural Heritage Research Cluster http://www.canberra.edu.au/faculties/arts-design/research/active-research-groups/cultural-heritage-research-cluster
  8. University of Sydney Arts eResearch http://sydney.edu.au/arts/eresearch/

New Zealand

  1. Portal http://humanitiesmachine.org.nz/
  2. Archives, personal memory and slow food http://www.slideshare.net/DigitalNZ/visual-explorations-of-new-zealands-digital-heritage
  3. NB not a research centre but originally a game company http://www.areograph.com/#!__heritage
  4. And unfortunately now past virtual heritage http://www.virtualheritage.net/news_blogs/1681.htm

European research centres in cultural heritage, digital heritage, virtual heritage

  1. Gothenburg Heritage Academy http://www.science.gu.se/digitalAssets/1373/1373820_heritage-seminar-a–b.pdf and linked to http://www.varldskulturmuseerna.se/org. Myndighetens ledningskansli är också placerat i Göteborg.”
  2. Jyvaskyla 3D Bridge http://www.arthis.jyu.fi/bridge/index.php.html
  3. Media Arts, Aalto E.g. http://www.aalto.fi/en/current/news/view/2012-07-19/
  4. Lund VR lab http://www.design.lth.se/english/the_department/research_laboratories/virtual_reality_lab/
  5. HUMLAB virtual heritage seminar avatarising the past http://blog.humlab.umu.se/?p=3082
  6. Intermedia, Uni of Oslo http://www.uv.uio.no/intermedia/english/  OR http://www.uv.uio.no/intermedia/  eg CONTACT project http://www.uv.uio.no/intermedia/english/research/projects/contact/index.html
  7. Interactive institute Sweden http://www.tii.se/  (Director: Halina Gottlieb NODEM http://www.tii.se/people/halinagottlieb)
  8. Trondheim MUBIL – a digital laboratory http://www.ntnu.no/ub/omubit/bibliotekene/gunnerus-1/mubil
  9. Estonia Department of Cultural Heritage and Conservation http://www.artun.ee/index.php?lang=eng&main_id=365

UK and Ireland

  1. York http://www.york.ac.uk/archaeology/research/research-themes/ (esp arch info science http://www.york.ac.uk/archaeology/research/research-themes/arch-information-systems/ links to DARIAH CARARE ACE and CHIRON)
  2. Southampton Archaeological Computing Research Group http://www.southampton.ac.uk/archaeology/acrg/
  3. Newcastle International Centre for Cultural and Heritage Studies http://www.ncl.ac.uk/sacs/icchs/
  4. Trinity College Dublin- The Cultural Heritage Initiative at Trinity http://www.tcd.ie/catc/flagship-areas/cultural-heritage.php
  5. King’s College esp Visualization Lab http://www.kvl.cch.kcl.ac.uk/
  6. Leicester http://www2.le.ac.uk/departments/museumstudies/research offer a digital heritage programme.
  7. Smartlab Ireland (phd programme http://smartlab-ie.com/about-2/)

Mainland Europe

  1. Cyprus http://www.cyi.ac.cy/index.php/starc.html
  2. MIRALAB Switzerland http://www.miralab.ch/
  3. http://www.v-must.net/   Virtual Museum Transnational Network also see http://v-must.net/schools
  4. Hamburg http://www.slm.uni-hamburg.de/ifg2/personal/jan-christoph-meister.html seems to lead http://www.hdh.uni-hamburg.de/
  5. Fraunhofer IGD  (technical 3D graphics) http://www.v-must.net/sites/default/files/CALL4TRAINING-GERMAN-VHS-VIRTUALAUGMENTEDREALITY.pdf contact Holger Graf http://www.igd.fraunhofer.de/Institut/Abteilungen/Virtuelle-und-Erweiterte-Realit%C3%A4t-A4/Mitarbeiter/DiplMath-Techn-MSc-Holger-Graf
  6. Ename Ghent Belgium http://www.enamecenter.org/
  7. University of Amsterdam Cultural Heritage and Identity (research priority area ) http://www.hum.uva.nl/research/priority-areas.cfm/815F7F44-1321-B0BE-680E17177604014A
  8. Italy: Rome CNR Lab http://www.itabc.cnr.it/VHLab/
  9. Italy: Pisa Laboratory of Digital Culture http://www.thatcampflorence.org/organizers/laboratory-for-digital-culture-university-of-pisa-italy/  (or http://infouma.di.unipi.it/laurea/index.asp)
  10. Italy: Genoa (virtual tourism http://www.isaac-project.eu/)
  11. Italy: Bologna http://www.beniculturali.unibo.it/DISMEC/default.htm.
  12. Italy: Florence? See conference at http://www.rinascimento-digitale.it/conference2012.phtml

Special issue on full domes in digital creativity

I am no expert in full domes but I was impressed with the articles on projected environments in full domes, in Digital Creativity Volume 23, Issue 1, 2012 . I feel quite fortunate that I get a free copy for reviewing articles, wish more journals were this generous to their editorial board members!

Nick Lambert, Mike Phillips and David McConville all write articles. My only criticism is that more European, Canadian and Asian-Australasian writers could also have featured. I have little or no knowledge of African and Middle Eastern full dome work, which is surprising (or maybe just reflects on me), given their incredible architectural heritage in domes.

Anyway, the references and background descriptions seem very useful as a reference material for a course.
URL: http://www.tandfonline.com/toc/ndcr20/current

cfp: DIGITAL CLASSICIST SEMINAR BERLIN: CALL FOR PAPERS (for October)

http://de.digitalclassicist.org/berlin/cfp

We are pleased to announce the Call for Papers for the newly established Digital Classicist Seminar Berlin, which will run for the first time in the Winter Term 2012. This initiative, inspired by and connected to London’s Digital Classicist Work in Progress Seminar, is organised in association with the German Archaeological Institute and the Excellence Cluster TOPOI.

We invite submissions on research which employ digital methods, resources or technologies in an innovative way in order to enable increased understanding of the ancient world at large. Abstracts, either in English or in German, of 300-500 words max. (bibliographic references excluded) should be uploaded by midnight MET on September 14, 2012 using the special submission form.

Themes may include digital text, linguistics technology, image processing and visualisation, linked data and semantic web, open access, spatial and network analysis, serious gaming and any other digital or quantitative methods. We welcome seminar proposals addressing the application of these methods to individual projects, and particularly contributions which show how the digital component can lead to crossing disciplinary boundaries and answer new research questions. Seminar content should be of interest both to classicists, ancient historians or archaeologists, as well as information scientists and digital humanists, with an academic research agenda relevant to at least one of these fields.

Seminars will run fortnightly on Tuesday evenings (17:00-18:30) starting in October 2012 in the TOPOI Building Dahlem, hosted by the Excellence Cluster TOPOI. The full programme will be finalised and announced in late September. It is planned to grant an allowance to speakers for travelling and accommodation costs. Further details will be available once the program is finalised.

ICT Expert,required for DIGHUMLAB, Denmark (in Copenhagen)

DIGHUMLAB (http://dighumlab.dk/) is a newly established research infrastructure with the goal of supporting digital humanities and social science research by providing common virtual access to relevant digital and digitised resources for the humanities and the social sciences.

We are looking for a computer scientist, software engineer, or a person with similar qualifications to work for a distributed common secretariat, headed by the project leader (based in Aarhus). Employment will be on a project basis for a 5-year period, and the workplace will be the University of Copenhagen, Centre for Language Technology (www.cst.ku.dk). You will report to the DIGHUMLAB project leader but both you and your personal line manager will be located at the University of Copenhagen. Because of the distributed nature of DIGHUMLAB, you will be required to travel to Odense, Aarhus, and Aalborg, and also to European partners and meetings.

For further information and to apply online, please visit the following website: http://tiny.cc/tkn2iw

The closing date for applications is 23:59 CET, 9 September 2012.

DIGHUMLAB launch Mon 10 September, 12.00-17.30 Aarhus Denmark

DIGHUMLAB LAUNCH

We are having a launch of DIGHUMLAB, on 10 September. Attendance is free but general public or  student online registration is required as seats are limited.

Details: mandag 10 september 2012: 12.00 – 17.30

Location: Peter Bøgh Andersen Auditorium, Nygaard building, på hjørnet af (corner of) Finlandsgade og Helsingforsgade, Aarhus North.

Aarhus University, 8200 Aarhus Denmark

 TimeEvent
12.00Informal gathering and light food
12.30Rector Lauritz B. Holm-Nielsen & Dean of Arts, Mette Thunø, Aarhus University
12.45Danish Minister for Science, Innovation and Higher Education, Morten Østergaard
13.00DIGHUMLAB 1: Professor Bente Maegaard: Language Tools and CLARIN
13.15DIGHUMLAB 2: Professors Niels Ole Finnemann & Niels Brügger: NetLab
13.30DIGHUMLAB 3: Professor Johannes Wagner: Interaction Labs
13.45Sally Chambers, Secretary General, DARIAH-EU Coordination Office
14.00Steven Krauwer, CLARIN ERIC Executive Director
14.15Coffee break
14.30Professor Patrik Svensson, HUMlab, Umeå University
15.10Professor Lorna Hughes, University of Wales Chair in Digital collections, National Library of Wales
15.50Coffee break
16.00Associate Professor Palmyre Pierroux, InterMedia, University of Oslo
16.30Professor Lily Díaz-Kommonen, Media Lab, Aalto University
17.00Open Floor Discussion and questions
17.30Light refreshments

it will be a very busy August-September

  • Friday 31 August: Flying Billund to Bergamo Italy
  • Sunday 2 September VSMM 2012 conference Milan Italy (Milan Polytechnnic)
  • Monday 3 September: Present 10.50AM for Li Wang, “Chinese Culture Approximated Through Touch” and chair 11.30 session Virtual documentation and 3D repositorieS
  • Wednesday 5 September: Milan to London
  • Thursday 6 September: Digital Humanities Congress Sheffield UK
  • Saturday 8 September at session 18: 9.30 – 11.00 present talk “Research as Infrastructure” then fly Manchester to Copenhagen then train to Aarhus
  • Monday 10 September: DIGHUMLAB Launch, Aarhus University, 12.00-17.30, Nygaard building, corner of Helsingforsgade and Finlandsgade, Aarhus
  • Monday 17 September: Fly from Billund to OslO
  • Tuesday 18 September: Nordunet conference Oslo (just day 1 for me)
  • Wednesday 19 September: Fly from Oslo to Copenhagen and Train to Lund, give opening keynote at 6pm, u21 conference, Lund University
  • Thursday 20 September: u21 conference, then evening train to Copenhagen then to Aarhus
  • Friday 21 September: Deans meeting, Aarhus.

Info viz should be compulsory for researchers!

Gigaom

With the advent of open data and new, powerful methods for analyzing it, we’re learning a lot that could challenge longstanding beliefs on public policy. Politicians, social workers and other civil servants have always had data, of course; they just never had as much and could never do with it what they can today. They should listen to what the computers tell them.

What’s possible

Recent HIV research from Brown University is a great example of what’s possible. Researchers formulated a computer model based on numerous factors relating to drug use, sexual activity and the medical aspects of HIV infection. To ensure it was accurate, they calibrated the model until it could accurately reproduce known HIV infection rates in New York City from 1992 until 2002. They ran the model thousands of times on a supercomputer.

They found that the rate of of HIV infection among New York City injection drug…

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Post-Doctoral Research Fellow in Critical Heritage Studies

Post-Doctoral Research Fellow in Critical Heritage Studies

The University of Gothenburg announces two positions as; Post-Doctoral Research Fellow in Critical Heritage Studies
Reference number: PER 2012/113 as part of the University of Gothenburg’s special initiative in Heritage Studies.
To qualify for the position of post-doctoral fellow, applicants must have a PhD in Sweden, or an artistic competence considered to be of an equivalent merit or a foreign degree determined to be of equivalent merit. The candidate must have earned the doctoral degree not more than three years prior to the application deadline except under special circumstances. Heritage Studies is a multi-disciplinary subject area, so candidates are not limited to a specific academic background; on the contrary, we want to encourage anyone interested in conducting research in the field of Heritage Studies to apply.
The fellowship positions will last for at most two years during which time each fellow will execute his or her own research plan within the field of Heritage Studies. The Heritage Studies initiative has been running since January 2010 and the understanding of the research field together with the possible options for continued research at University of Gothenburg, has led to the formulation of four strands guiding the activities in Gothenburg:

  • ‘Globalized heritage in a decolonial setting’
  • ‘Heritage region West Sweden’,
  • ‘Archives, memory and the production of heritage’
  • and ‘Artistic practice and heritage research – identifying a heritage poetic’.

For more information, see
http://www.science.gu.se/english/research/prominent-research-environments/areas-ofstrength/Heritage_Studies

An Exclusive One-Day Lab on Interactive Storytelling and Media Architecture

An Exclusive One-Day Lab on Interactive Storytelling and Media Architecture
Costs:
Participation Fee: 250 € per project incl. VAT (170 € for the workshop and 80 € for one festival accreditation)
Students discount: 150 € per project incl. VAT (110 € for the workshop and 40 € for one student festival accreditation)

APPLY NOW! Deadline: August 16, 2012

  • Are you currently working on a cross media project that is linked to a documentary or animated film?
  • Would you like professional support to strengthen the idea, dramaturgy and structure of your project?
  • Are you looking for creative inspiration, mutual exchange and networking with experienced colleagues from the cross media world?

The DOK Leipzig Net Lab 2012 offers an intense day of individual support for your cross media project, with an in-depth look at interactive storytelling and media architecture.
Media professionals and cross media creatives are invited to apply with their multi-platform projects linked to documentary and/or animated film. Six projects will be selected from all applications and the head producer and up to two team members will be invited to participate.
The DOK Leipzig Net Lab provides concrete support for cross-media projects in the development, production or post-production stage. International cross media experts will talk about their experiences, share knowledge and provide engaged mentoring and individual advice for each project.

Our goal is to help you to discover fresh and creative ways of interactive storytelling, strengthen your project’s non-linear dramaturgy and develop a suitable media architecture. We want you to join forces with media professionals from across different disciplines for to draw the very best out of your ideas.
The one-day networking lab will provide a mix of group work, in-depth analysis and individual meetings.

Application Deadline: August 16, 2012 (applications are required in English language!)
Please find the online application form here: