START | *DUE* | CONFERENCE | THEME | LOCATION |
15-nov-12 | 20-jul-12 | media architecture biennale | Media architecture Biennale 2012 | Aarhus Denmark |
08-nov-12 | 31-jul-12 | Digital engagement in archaeology | Digital Engagement in Archaeology Conference | London UK |
14-okt-12 | 13-aug-12 | Nordic CHI | Making sense through design WORKSHOPS | Copenhagen DK |
15-maj-13 | 01-sep-12 | CAADRIA | CAADRIA | Singapore |
17-apr-13 | 15-sep-12 | Crafting the future | Crafting the future-designer´s practice knowledge | Gothenburg Sweden |
28-jan-13 | 15-sep-12 | LMMGS | Learning in museums through mobile games and stories | Vercors, French Alps |
13-nov-12 | 17-sep-12 | ambient gaming | Second International Workshop on Ambient Gaming (AmGam’12) AND AESTHETICS (13) | Pisa Italy |
27-apr-13 | 19-sep-12 | CHI2013 | Paris France | |
14-maj-13 | 10-dec-12 | FDG 2012 | Foundations of Digital Games | Crete |
02-sep-13 | 08-jan-13 | interact 2013 | designing for diversity | Capetown South Africa |
01-jul-13 | 01-feb-13 | CAADFUTURES2013 | Global Design & Local Materialization | Shanghai China |
11-dec-12 | ? | Cultural heritage online | CULTURAL HERITAGE on line – Trusted Digital Repositories & Trusted Professionals | Florence italy |
26-mar-13 | ? | CAA2013 | Across Time and Space:Computer Applications in Archeology (sessions and workshops) | Perth Australia |
? | Digital Humanities 2013 | University of Nebraska-Lincoln, USA (2013) | Nebraska USA |
“Best in Heritage” Conference @ Dubrovnik, Croatia, 27 – 29 September 2012
I am interested and impressed by the idea, an annual conference based around awards to heritage projects that have already won awards, a sort of "best of the best".The programme is here http://www.thebestinheritage.com/conference/programme/
I am still a little sketchy on their critieria but their instructions to the speakers gives some clues
http://thebestinheritage.com/conference/presenters-instruction/
- Describe your institution
- What was the history of the project: rationale, objectives, aims?
- Who conceived the idea? Where the support came from? In what forms?
- What was professional and social philosophy of your project? Is your project relevant for the national and community development? Does it help quality of living?
- What was the particular quality or innovation that deserved to be awarded?
- Do you consider your project being different from the others of the sort or better than them?
- How did your project work regarding human resources? Who was engaged and what were the experiences?
- What were the difficulties? Was anything easy?
- How would you do it next time?
- What are the experiences you would never repeat?
- How do you define professional excellence?
- Would you have any piece of advice for all who will enter some similar experience?
Please note:
Your presentation will make part of more than 130 hours of multimedia, highly interactive collection of the Excellence Club project presentations, at our web site and on DVD.
To stimulate quality of presentations and the attention of our participants we offer a prize for the best formal presentation.The winner, as voted by the audience present in Dubrovnik, is offered to present the project at The Best in Heritage Excellence Club, EXPONATEC fair (Cologne,Germany) at the invitation of Koelnmesse, comprising travel (any European destination), and board and lodging expenses.
cfp: Foundations of Digital Games 2013
14-17 May 2013, Chania, Crete, Greece
We invite researchers and educators to submit to FDG 2013 and share insights and cutting-edge research related to game technologies and their use. FDG 2013 will include presentations of peer-reviewed papers, invited talks by high-profile industry and academic leaders, panels, and posters. The conference will also host a technical demo session, a Research and Experimental Games Festival, and a Doctoral Consortium. The technical demo session will include novel tools, techniques, and systems created for games. The Research and Experimental Games Festival will showcase the latest experimental and research games. The Doctoral Consortium serves as a forum for Ph.D. students to present their dissertation research, exchange experiences with peers, discuss ideas for future research and receive feedback from established games researchers and the wider FDG community.
IMPORTANT DATES:
Workshop proposals:
- Submission: 28 October 2012
- Notification: 11 November 2012
Papers, panel proposals, doctoral consortium:
- Submission: 10 December 2012
- Notification: 1 March 2013
- Camera-ready: 18 March 2013
Research and experimental game festival:
- Submission: 13 January 2013
- Notification: 22 February 2013
- Camera-ready: 18 March 2013
Posters and demos:
- Submission: 4 March 2013
- Notification: 18 March 2013
- Camera-ready: 31 March 2013
CAADRIA 2013 CFP Abstract due September 1, 2012, May 15-18, 2013 National University of Singapore
Open Systems http://www.caadria2013.org
The 18th International Conference of the Association of Computer-Aided Architectural Design Research in Asia (CAADRIA) May 15-18, 2013
National University of Singapore
Contemporary challenges require inclusively integrated approaches to designing. Constrained by established modes of practice, such integration is impossible without a radical commitment to openness. In response to this need, CAADRIA 2013 invites contributions that engage with open systems in all aspects of architectural and urban design: open with respect to the scale of the design objectives and the context, from a building component within a building system to a neighbourhood or city within its urban and rural context; open with respect to the domains being considered, from planning to sustainable performance of a building or city; open with respect to the collaboration of disciplines and participants, from ad-hoc brainstorming to a rigorous process of consultation and feedback; open with respect to design methods and techniques, from physical modelling to digital prototyping; open with respect to design models and representations being adopted, from a parametric exploration to an ontological delineation considering Building Information Modelling, Built Environment Modelling or City Information Modelling; open with respect to the tools and applications being adopted, despite interoperability issues, from modelling to simulation and assessment; open with respect to the learning approach being adopted, from informal interaction and sharing to formal design education; open with respect to the open source approach being adopted in research and development, in order to gather community involvement and use.
By focusing on the theme of Open Systems, CAADRIA 2013 aims to explore all these aspects and more, and raise awareness to the need of overstepping disciplinary boundaries and reaching creative communities at all levels of expertise, by pooling resources, knowledge and practices, and integrating them through the adoption of open systems.
CAADRIA 2013 invites submissions of original research papers and posters on topics in computational architectural design research, including but not limited to the following subjects:
- Computational design research and education
- Modes of production
- Digital fabrication and construction
- New design concepts and strategies
- Mass customization
- Collaborative design
- Digital aids to design creativity
- User participation in design
- Generative, parametric and evolutionary design
- Virtual architecture
- Shape studies
- Virtual reality and interactive environments
- Precedence and prototypes
- Ubiquitous and mobile design computing
- Design tool development
- Human-Computer Interaction
- Simulation, prediction, and evaluation
- City modelling
- Practice-based and interdisciplinary computational design research
- Theory, philosophy and methodology of computational design research
Young researchers currently involved in postgraduate studies are invited to apply for the Young CAADRIA Award and to submit their research-in-progress to the CAADRIA 2013 Postgraduate Student Consortium.
Interedition 12th Bootcamp: 15-18 July 2012, Hamburg
CALL FOR PARTICIPATION (CFP)
Interedition (http://www.interedition.eu) invites all interested scholars and hackers to participate in the upcoming Bootcamp, to be held alongside the DH2012 conference in Hamburg (http://www.dh2012.uni-hamburg.de/).
Interedition is raising the awareness of the importance of interoperability as a major driver for sustainability for tools and data in the field of digital scholarship. This activity takes two forms: firstly, meetings in which researchers in digital scholarship can network their knowledge of tools and the possibilities for their interoperability; secondly, the development of proof-of-concept implementations of interoperable tools.
The focus of this bootcamp is on tools and practices related to “digital collaboration” in all its forms. Topics and problems that could be addressed are (but certainly have not be limited to):
- real time multi-user resource editing (like in Google Docs)
- division of tasks and labour in user groups
- exchange of data between different tools applied by users
- sharing copyright protected data between users
- how do users share data but keep it identifiable as their intellectual property?
- tools for collaborative research
- tools for crowdsourcing (e.g. for text transcription)
- tools, processes, and methods for collaborative development within the Interedition community
The last point will be a focus of discussion as well as coding over the course of the bootcamp. Interedition has spent the four years of its tenure as a COST action advocating sustainable solutions for the development of digital tools; as we move into the next phase of our existence as an open-source development community, we will discuss and implement the infrastructure we need to sustain the community itself.
Participation in the bootcamp is free of charge, and is open to any interested participant subject to space constraint. If you wish to participate, please send a short summary of your background and current work (no more than 150 words) to bootcamp. Preferably also state the topics you’d like to work on during the bootcamp.
cfp: CULTURAL HERITAGE on line 2012, Florence 11-12 Dec 2012
http://www.rinascimento-digitale.it/conference2012.phtml
CULTURAL HERITAGE on line 2012 Trusted Digital Repositories & Trusted Professionals
Some lovely visualization tools
http://selection.datavisualization.ch/ and science videos http://www.cassiopeiaproject.com/faq.php thanks Drew for the link!
Call for nominations for the 2012 Zampolli Prize
http://www.digitalhumanities.org/awards/ZampolliPrize
The Zampolli Prize is named in honor of Antonio Zampolli, one of the founders of the Association for Literary and Linguistic Computing (ALLC) and its president when he tragically died in 2003. The Prize is given to recognize an outstanding singular achievement in the Digital Humanities. The Prize will be inaugurated in 2011 and awarded triennially thereafter. Terms
The recipient receives a cash award of 1000 GBP and is expected to give a keynote or plenary lecture (on a topic of their choice) at the annual Digital Humanities conference. ADHO will host the recipient as a guest of honor for the conference at which the Prize is awarded and the lecture given—this means that all travel, accommodation and subsistence costs of the Prize recipient will be paid by the Association. Selection
The recipient is chosen by a selection panel formed by the ADHO Standing Committee on Awards, with a representative of that committee as chair. Normally, all members of the ADHO Awards Committee serve on the panel unless precluded by conflict of interest; others may be included at the discretion of the Committee. All constituent organizations should have at least one representative on the panel. The selection panel is responsible for soliciting and receiving nominations, reviewing the nominees’ work, selecting the recipient, and writing a citation describing the achievements in recognition of which the Prize is given. Schedule
The Prize will be awarded triennially, beginning with the 2011 annual conference. The normal schedule is:
0. In the year of the Prize lecture, the selection panel for the next awarding of the Prize is formed and announced. Solicitation of nominations begins at that annual conference and continues through the year until after the succeeding conference. The selection panel will establish specific dates and nomination procedures.
1. Following the first annual conference after the Prize lecture, the selection panel reviews the nominations to make their decision. They may seek additional information or documentation, if needed.
2. For the second annual conference, the panel reports their selection to the ADHO Steering Committee and executive committees of the constituent organizations, then formal public announcement is made at an appropriate plenary session of that conference—a year before the Prize is to be awarded.
3. During the third annual conference, the Prize is awarded again and the lecture given. At the same time, the cycle begins anew for the following three years.
Aliens and carpentry, philosophers, books, and mediation
I wrote the below post to the blog Words in Space by Shannon Christine Mattern.
I don´t know if it will be posted or replied to but maybe I should not have written it, my comment is a fishing hook in the ocean of a vast and surging question.
I have not read the book yet so this comment is ah floating, but in response to “philosophical works generally do not perpetrate their philosophical positions through their form as books” (93).”
I guess I wonder if he means the form has to create most of the content, or that it shapes some of the content as impact on the reader, or that it has to have a significant effect on the impact.
Also, philosophical works are not necessarily books as such (as he would know, being an Ancient Greek scholar), so if I take the sentence to mean philosophers don’t really consider the shape or form of their book, a couple of counter examples come to mind (if we can extend to writers who write philosophically)
-Steppenwolf by Hesse (the starting sentence is actually part of a look with the ending sentence)
-Kafka
-Philosophical investigations by Wittgenstein
-Kierkegaard
-and I would like to say Nietzsche but that is perhaps controversial.
It is a good thing to think about anyway, thanks for the interesting post.
(I am not sure if the fourfold notions in Heidegger´s philosophy of art, i.e. the silversmith, were inspiration, but they may be of interest to some, especially designers.)
Call for Papers for Liverpool TAG 2012
Call for Papers for Liverpool TAG 2012.
Call for Papers for a TAG session, proposed by Don Henson, Director, Centre for Audio Visual Study and Practice in Archaeology (CASPAR), Dr Monty Dobson, archaeologist, filmaker and TV presenter, Drury University, and Lorna Richardson, PhD Candidate, UCL Centre for Digital Humanities
Session title: Archaeology & Media – Entertainment or Edutainment?
This proposed session will explore both the educational and entertainment value of archaeological information in the media, from traditional television programming, archaeology on the Internet, online broadcasting, and the radio.
This session will ask what value does archaeology hold for the media? How has archaeology been presented to a media-hungry public to date, and what future does it have in the digital age? Does archaeology have brand-awareness? Should rigorous archaeological scholarship take a backseat to popular entertainment, and how can archaeological programming and information online provide narrative and information that is both entertaining and factual?
Papers are invited that discuss how archaeological sites and images are reused in popular culture; the longtail of archaeological edutainment; popular respresentations of archaeologists and archaeology in the media; is there an archaeological stereotype that we play to?; the importance of the presenter as the face of archaeology on television; how does media commissioning works with archaeological information and how do archaeologists work with the media?; how and why is archaeological information subverted, changed or ‘sexed up’ to pull in audiences?; should archaeologists share archaeological authority through media?; pseudoarchaeology as popular TV entertainment. Other related topics are welcome.
Submission deadlines for proposed papers is Friday 22nd June 2012.
For further information, or to submit a paper proposal, please contact Don Henson or Lorna Richardson
21 st Century Educational Technology and Learning
Welcome to a series of posts devoted to the use of Word Clouds. I know you will find new information… whether you are a seasoned user of word clouds, or brand new. I enjoy working with teachers and helping them use word clouds in their lessons because they are a great way to get any teacher started with integrating technology. In the last post you discovered 12 Tips in Using Wordle. In fact you may wish to read it if you have not as of yet. This post will share 108 ways for educators to use word clouds in the classroom. There will still be more in this series including:
- There is more to Word Clouds then Wordle… other awesome word cloud generators
- Beyond word clouds… cool sites and applications to integrate word clouds
To ensure you do not miss one of these valuable posts or other resources covering…
View original post 3,270 more words
cfp: MEDIA ARCHITECTURE
http://www.mediaarchitecture.org/wp-content/uploads/MAB_2012-Call_for_papers.pdf MEDIA ARCHITECTURE BIENNALE 2012
November 15-17, 2012
Aarhus, Denmark
Building on the successful event in Vienna 2010, Media Architecture Biennale 2012 brings together artists, practitioners and researchers from academia and industry in the ongoing exploration of the meeting between architecture and digital media. The 2012 Biennale comprises an academic conference track, exhibitions, and industry sessions, as well as a full day of workshops. Our vision is to provide an excellent forum for debate and knowledge exchange; to offer a unique opportunity that brings together the best minds and organizations; and to highlight state-of-the-art and experimental research in media architecture.
Important Dates for Papers
Papers submission deadline: July 20, 2012
Notification of acceptance: Sept 5
Camera-ready submission: Sept 25
Conference: Nov 15-17 2012
CFP ICAHM Annual Conference on Archaeological Heritage in Cuzco, Peru November 27-30.
ICAHM (ICOMOS’ International Committee on Archaeological Heritage Management) is pleased to announce its international conference on archaeological heritage management, to be held in historic Cuzco, Peru on November 27-30 of this year. Registration is now open. Abstracts should be submitted via the website.
Among the worldwide issues for consideration at this meeting are local stakeholder claims on archaeological heritage; sustainable development and community sustainability; tourism pressures and site preservation; heritage and rights; challenges to the validity and value of the World Heritage List as it quickly approaches 1,000 inscribed sites; the World Heritage List decision-making process; impacts of war, civil disorder, and natural disasters on archaeological sites; technical advances in archaeological heritage management.
While in Peru, you’ll have ample opportunities for tours of Cuzco, Machu Picchu and the Sacred Valley before and after the conference; please see our informational flier about the conference and its surroundings attached to this email and contact Happy Tours at tours for tour options.
ICAHM will publish the best papers from this annual meeting in its publication series with Springer Press, "Multidisciplinary Perspectives in Archaeological Heritage Management
We hope to see you in Peru! Feel free to email <melanie.kingsleywith any questions you might have and/or forward this email to anyone you think might be interested.
CFP: Conference on Digital Engagement in Archaeology: Strategies & Evaluation Methods
http://digipubarch.org/2012/05/29/call-for-papers-conference-on-digital-engagement-in-archaeology-strategies-evaluation-methods/
8th – 9th November at UCL Institute of Archaeology, London UK
Organisers:
Chiara Bonacchi (UCL Institute of Archaeology) & Daniel Pett (The British Museum)
Under the auspices of: the Archaeology and Communication Research Network (ACRN) and the Centre for Audio-Visual Study and Practice in Archaeology (CASPAR).
The organisers invite 2 types of papers:
a) Papers presenting frameworks for understanding, promoting and evaluating digital participation in archaeology by non-specialist audiences
b) Papers presenting tested strategies through which archaeologists working in different areas of the sector may engage non-specialist audiences.
Contributions of this type can be on:
– strategies for archaeological museums and sites
– strategies for university departments
– strategies for commercial archaeology
Papers of type b will be case-study based and present models of digital public engagement which have margins of repeatability and can be pointed out as exemplars. The models that are presented should be supported with evidence of their effectiveness for the institutions/researchers/archaeologists who apply them and for the public. Therefore, they should be grounded in audience research and include:
i) presentation of the context for using the model
ii) presentation of the case study through which the model has been tested (beneficial results obtained with what resources and in what conditions)
iii) limitations and repeatability.
DEADLINE FOR ABSTRACT SUBMISSION: 31 JULY 2012
If you are interested, please email a title and a 200 words abstract to Chiara Bonacchi and Daniel Pett by 31 July 2012.
cfp: Rob|Arch 2012: Robotic Fabrication in Architecture, Art, and Design | www.robarch2012.org
2nd Call for Papers | Rob|Arch 2012: Robotic Fabrication in
Architecture, Art, and Design | http://www.robarch2012.org
Workshops: 14.-16.12.2012 / Conference: 17.-18.12.2012
ROB|ARCH has been initiated by the Association for Robots in ROB|Architecture as a new conference series on the use of robotic fabrication in architecture, art, and design, closely linking industry with cutting-edge research institutions.
For the first time, ROB|ARCH 2012 will bring together international university partners who will open their robotic research labs to a creative use and present an insight in their applied robotic research at various locations throughout Europe. While the international workshops will be distributed at university partners, the following conference will take place in Vienna, a city well known for its living quality, but also a hotspot for technology and innovation.
The internationally renowned publishing house Springer Wien/New York will publish and market the proceedings of the conference worldwide with the following topics:
-design to robotic fabrication
-rapid prototyping with industrial robots -mass customisation -robots beyond industrial uses -robotic aesthetics -customized robotics -digital and physical robotic interfaces
Paper Submission
We invite authors to submit papers with original research relating to the use of robots in architecture, art, and design. An international scientific committee consisting of researchers and practising architects will evaluate the papers and provide feedback to the authors. The selected papers are published in the Springer proceedings and presented at the conference in Vienna.
Electronic Submission of Abstracts 04.06.2012 Electronic Submission of Full Papers 16.07.2012 Author notification 10.09. 2012 Final Paper due 01.10.2012
Digital Humanities in the Southern Hemisphere
What is happening in the Digital Humanities in the Southern Hemisphere?
http://www.nectar.org.au/humanities-networked-infrastructure-huni-virtual-laboratory in Melbourne Australia
http://dh.canterbury.ac.nz/ A portal in NZ, Christchurch, University of Canterbury.
The Virtual World Framework (VWF) using HTML 5 Web GL XMPP JavaScript
It is clunky on my current non dedicated graphics workstation so I cannot vouch for speed. But if it has reasonable performance on better multimedia desktops, I see a great deal of upside to this framework http://virtualworldframework.com/web/catalog.html
I especially like the google earth demo, shuffleboard and physics
http://virtualworldframework.com/web/faq.html
The Virtual World Framework (VWF) is a means to connect robust 3D, immersive, entities with other entities, worlds, content and users via web browsers. It provides the ability for client-server programs to be delivered in a lightweight manner via web browsers, provides synchronization for multiple users to interact with common objects and environments. For example, using the VWF, a developer can take video lesson plans, objects and avatars and successfully insert them into an existing virtual or created landscape (such as EDGE or Open Sim), interacting with the native objects and users via the VWF interface.
Conferences
START | *DUE* | CONFERENCE | THEME | LOCATION |
02-sep-12 | 04-apr-12 | vsmm2012 | Virtual Systems in the Information Society | Milan Italy |
06-sep-12 | 30-apr-12 | dhc2012 | Digital Humanities Congress 2012 | Sheffield UK |
19-sep-12 | 14-maj-12 | DH workshop | Digital studies of culture and cultural studies of the digital. | Lund Sweden |
12-sep-12 | 31-maj-12 | film-philosophy | film philosophy | London UK |
29-okt-12 | 01-jun-12 | vs-games 12 | 4th International Conference on Games and Virtual Worlds for Serious Applications | Genoa Italy |
08-nov-12 | 02-jun-12 | artech2012 | 6th International Conference on Digital Arts: Crossing Boundaries | Algarve Portugal |
09-jun-12 | 03-jun-12 | Opening The Past | Pisa Italy | |
28-nov-12 | 04-jun-12 | postdigitalart | Post Digital Art, Third Computer Art Congress (CAC.3) | Paris France |
17-dec-12 | 06-jun-12 | TAG liverpool 2012 | Theoretical Archaeology Group: “live archaeology” | Liverpool UK |
12-nov-12 | 08-jun-12 | ICIDS2012 | Interactive Digital Storytelling (IDS) | San Sebastian Spain |
29-okt-12 | 15-jun-12 | euromed 2012 | International Conference on Cultural Heritage | Cyprus |
29-okt-12 | 15-jun-12 | euromed 2012 | International Conference on Cultural Heritage | Cyprus |
26-okt-12 | 15-jun-12 | ozchi2012 | Innovation Immersion Integration Inclusion & Interaction | Melbourne Australia |
26-mar-13 | 20-jun-12 | CAA2013 | Across Time and Space:Computer Applications in Archeology | Perth Australia |
30-sep-12 | 20-jun-12 | CDCH2012 | Creative Design for Interdisciplinary Projects in Cultural Heritage (CDCH’12) | Innsbruck Austria |
15-nov-12 | 20-jun-12 | media architecture biennale | Media architecture Biennale 2012 | Aarhus Denmark |
02-sep-13 | 08-jan-13 | interact 2013 | designing for diversity | Capetown South Africa |
personography
I am becoming very interested in personography deriving from prosopography I think it could link virtual environments and text, especially ancient manuscripts. Merely planting textual information in VEs and VRs and Social Worlds (Active Worlds, Second Life) as alpha facing billboards is a cognitive challenge, aesthetically unpleasant and takes up valuable screen space.
But how? Partially via a more phenomenological treatment of place, virtual place, and spatial and locative audio and visual and haptic hermeneutic analysis of text. Also via text to sound or via avatars or projection (streaming video textures etc).
I have been invited to dinner by a colleague, a phenomenologist and philosopher of technology, he lent me a very interesting book.
http://www.amazon.com/American-Philosophy-Technology-Empirical-Turn/dp/0253214491 American Philosophy of Technology: The Empirical Turn [Paperback] Hans Achterhuis (Editor)
Sadly it is not very place related, but what is interesting in how it reveals no matter how carefully one attempts to discuss culture, society and technology, how difficult and temperamental it becomes. The chapters on Hubert Dreyfus and Andrew Feenberg are particularly interesting to me. It does discuss the notion of situated from Dreyfus (but not the memetic flood that arose from Dourish onwards), I just wish they would examine a little bit more closely what situated really entails.
William Pannapacker´s comments on DH2011 conference
http://chronicle.com/article/Big-Tent-Digital-Humanities-a/129036/
We speak with each other primarily through scholarly channels—which is essential to our work—but that creates a void in public discourse about what we do. How can we justify putting money into seemingly impractical fields when college costs more than an average house?
From my perspective, as part of a generation that went through graduate school in the 1990s, the “DH” field is a response to a feeling of disenfranchisement and alienation from traditional academic culture in the context of a radically changed system of employment.Digital humanities cultivates scholarly collaboration as well as individual exploration, technological innovation alongside methodological rigor. It redefines the nature of academic careers while dealing with longstanding disciplinary conversations. And it engages in complex, theoretical heavy lifting while building projects that are often based on the Internet, available to the public, and indisputably useful. (Consider the various projects of the University of Virginia’s Institute for Advanced Technology in the Humanities, and Hamilton College’s Digital Humanities Initiative.)
Interesting, not just for the article, but for the comments debate. How is DH related to the humanities, and not just to all academics? Precisely because it is new to humanities scholars (the issue of defining new media all over again).
Micah Vandegrift [http://micahvandegrift.wordpress.com/) wrote in the comments:
“Now I’d like to turn to the larger problems facing the field, such as the reality that most people don’t know all that much about it…We speak with each other primarily through scholarly channels—which is essential to our work—but that creates a void in public discourse about what we do.´
I think this is exactly the point of the “digital” aspect of digital humanities. The scholarly channels are now exactly public, and engaged with in the public sphere, through the nature of digital technologies. As Sandy Thatcher mentions below, the correlation between digital and openness, in this case opening up scholarship to a public audience, is a key component that delineates traditional humanities from digital humanities.”