Category Archives: augmented reality

Living Digital Heritage 2021

I was given the honour of opening Living Digital Heritage conference with a keynote today and full congratulations to Frederik Hardtke and the other organizers at Macquarie University’s Centre for Ancient Cultural Heritage & Environment (twitter @cachemq) in Sydney, a great range of papers, all presented on Zoom. Finishing Sunday 7 November (when I fly to South Australia to take on a new role so I may miss a little of it).

If you are interested you may be able to follow via the above twitter links, I don’t know if they still accept registration but it was free.

update: ‘Rethinking Virtual Places’ Proof Approved

I mentioned in the below post that I was on the home stretch with this book (in the Indiana University Press Spatial Humanities series), final proof was approved by me this week. I also noticed it was over 107,000 words. Thanks to Dean and Professor Marc Aurel Schnabel for the comments on the back.

“An essential contribution to a very current topic.” —Marc Aurel Schnabel, Victoria University of Wellington

If anyone wishes to review or consider ‘Rethinking Virtual Places‘ for courses please contact Indiana University Press or email me.

Virtual Heritage: A Guide

Virtual Heritage: A Guide” is published and open access!

Why did we write it? For all those interested in an introduction to virtual heritage, but facing steep purchase costs for academic books, so it is especially suitable for university undergraduate courses. Download what you need, for free.

And given it was written from go to whoa in less than a year and to a tight word limit, I am very grateful to the authors for their time…

Cite: Champion, E. M. (ed.) 2021. Virtual Heritage: A Guide. London: Ubiquity Press. DOI: https://lnkd.in/gNkNWiB. License: CC-BY-NC.

“Rethinking Virtual Places” can be ordered in September

Out in November, purchasable in September. Contact IUP for reviewer copies “Rethinking Virtual Places” (in the IUP Spatial Humanities series) https://iupress.org/9780253058355/rethinking-virtual-places

update: “Virtual Heritage: A Guide”

Dear Rosa and Andrea (and Michael)

Thanks to the colleagues and co-authors who helped inspired me to edit a concise book for students that will be open access (i.e. free PDF downloads).

Virtual Heritage: A Guide will be available on Thursday 22 July 2021 at https://www.ubiquitypress.com

I’d appreciate any feedback from staff or students for future editions.

ISMAR workshop MrICHE

#CFP I was invited onto the program committee for IEEE International Workshop on “Mixed Reality Implications on Cultural Heritage Experience (MrICHE)”.

The workshop will be held in conjunction with the International Symposium on Mixed and Augmented Reality (ISMAR 2021, https://ismar21.org), 4-8 October 2021, Bari, Italy.

Submit: 4-8 page papers by 23 June! IEEE format. https://fcrlab.unime.it/calls/mriche2021 #ismar #culturalheritage #mixedreality #augmentedreality

Immersive Literacy-Online Resource

For a Digital Learning Futures unit, I created a prototype website on gitbook with resources for Immersive Literacy (and XR via AFrame run and edited inside CodePen) as a potential teaching unit.

I also wrote a report (which won’t go online for now) but I’d like to thank the academics, students, teachers, librarians, and heritage practitioners, who provided feedback.

Hacking Simulations and Simulacra in e-VR

Henceforth, it is the map that precedes the territory – PRECESSION OF SIMULACRA – it is the map that engenders the territory and if we were to revive the fable today, it would be the territory whose shreds are slowly rotting across the map. It is the real, and not the map, whose vestiges subsist here and there, in the deserts which are no longer those of the Empire, but our own.

The desert of the real itself.

“ The Precession of Simulacra” from Baudrillard, Jean. Simulacra and Simulation. Michigan, USA: University of Michigan Press, 1994.

Aim of Essay

Update and Relate Simulations and Simulcra to the current era of Hacking and Virtual Reality.

1 Theoretical Frameworks

  • Simulacra and Simulation (primary text), link briefly to Dreyfus’ On the Internet (distance learning), and Jenkins’ Convergence Culture (hopeful solutions but also issues with walled garden social media/VR).
  • Establish key Baudrillard terms and judge their impact and usefulness.

2 Mediated reality

  • Explain links between the Matrix films, social issues, information, entertainment, and VR, under the heading “Synchronicity between film, fiction, philosophy and fact.”

3 Baudrillard’s theory-Video Games, Cybersecurity, hacking and VR

  • Focus on hacking, hacking versus cracking, and hacking versus crafting and tinkering.
  • Give examples of VR, social media companies and VR, personal and sensory data issues) and biofeedback interfaces/affective computing), and hacking issues.

4 Digital mediation, simulacra and simulation, digital artifacts in education

  • Expand on the relevance to digital humanities, teaching and learning (and research), especially in Australia (and perhaps Oceania).
  • Contextualize in terms of distance learning during the era of COVID and lockdowns.
  • Expand upon the implications for educating current and upcoming generations.

5 VR Hacking-digital paradigm, education and computer hacking

  • Does the theory/framework hold up? Can it adjust, must it be adopted wholeheartedly, is it more of a warning than a framework, has it remained relevant?
  • Implications.
  • Future possibilities, threats, strategies in education.
  • Tie all above together, explain originality.

Learning outcomes

  1. Analyse and discuss a range of theoretical frameworks for understanding our mediated ‘reality’ and the digital paradigm, and in particular the work of Jean Baudrillard.
  2. Apply the reading of Baudrillard’s propositions regarding our mediated reality to the analysis of the Matrix Trilogy to identify the degree of synchronicity between film, fiction, philosophy and fact.
  3. Critically review the value of Baudrillard’s theoretical frames for understanding video games, cyber security events in general, and computer hacking in particular.
  4. Critically evaluate the implications of Baudrillard’s propositions around digital mediation, simulacra and simulation for the use of digital artifacts in education.
  5. Communicate effectively to present a coherent and independent exposition of knowledge and ideas within and across a range of discipline areas related to the digital paradigm, education and computer hacking.

update on immersive literacy

I received a distinction on my essay so I will extend it back to its draft length and send that either to a journal or add it to my 2022 book proposal on theoretical VR. My next essay to write is on hacking in VR and some of the issues on authenticity, reality, and linking to / critiquing Jean Baudrillard’s dystopic warnings (which I read 30 years ago, amazing to think how relevant they still are, with some caveats).

But I also have some book proofing sessions to undergo.

Ideally, all my major writing will be finished this week as next week, lockdown lifts pending, I hope to travel (sadly, not for a holiday).

From Digital Literacy to Immersive Literacy: Learning Experiences with XR Frameworks For Serious Game Workshops

The below is an essay for a digital learning futures class. If the paper receives good feedback and interest I may try to develop it for a journal (or subsection of a book I am planning on critical virtual reality).

Abstract

This essay suggests a modification of theoretical digital literacy frameworks to ensure they are suitable for designing educational (serious) games for the GLAM sector (using libraries as my initial focus). While not a librarian, I train people to create game prototypes for more engaging ways of communicating history, heritage, and digital collections (often found in Galleries, Libraries, Archives, and Museums-the GLAM sector).

I wish to develop a framework for game design to better assess what is learnt by end-users (game prototype participants) and game prototype designers (in this case, librarians). My concept of immersive digital literacies is discussed and applied to a review of software tools for the development of serious game prototypes.

Free access: paper on AR-ph app talking flower guide

Limited free paper on AR that speaks native names of flora back to you, “Audio-augmented arboreality: wildflowers and language”, published in Digital Creativity, Volume 32 Issue 1. First 50 copies are free.

Audio-augmented arboreality: wildflowers and language (2021). Digital Creativity: Vol. 32, No. 1, pp. 22-37.tandfonline.com

(Image by Dr Hafizur Rahaman).

Audio-augmented arboreality: wildflowers and language

New article

Hafizur Rahaman, Michelle Johnston & Erik Champion (2021). Audio-augmented arboreality: wildflowers and language, Digital Creativity, DOI: 10.1080/14626268.2020.1868536 free for first 50 people:

Before colonization, there were over 250 languages spoken in Australia. Today only thirteen Indigenous languages are still being taught to children). Language has an important part to play in cultural maintenance and ‘closing the gap’ in terms of First Peoples’ cultural heritage, identity, and sense of belonging. In this work, we aim to develop an engaging and easy way to teach and learn the local Indigenous names of wildflowers using a mobile device. This paper presents the development of a phone application that runs on a local machine, recognizes local wildflowers through its camera, and plays associated sounds and displays associated text in the Noongar language. The prototype mobile application has been developed with MobileNets model on the TensorFlow platform. The dataset is derived from Google searches, while the sound files are generated from label text by running an apple script. UI and interactivity have been developed by using Vuforia and the Unity game engine. Finally, the Android Studio is used to deploy the app. At this point in time, the prototype can only recognize ten local flowers, with 85%∼99% of accuracy. We are working with a larger dataset towards developing the full application.

New book cover

Was one of two book covers possible and I think due to some email confusion they didn’t choose my preferred cover but I really appreciate permission by Dr Anthony Masinton to use his rendered image. The publisher of Rethinking Virtual Places will be Indiana University Press, via their Spatial Humanities Series.

my quiet summer plans

oh and examining PhD theses…

Pending, To Be Presented or Published

Books and edited books in press or under review

  • Champion, E. (2021: in press). Rethinking Virtual Places. Indiana University Press, Spatial Humanities series.
  • Champion, E. (Ed). (2021: in press). Virtual Heritage: A Concise Guide. Ubiquity Press, London.
  • Lee, C. & Champion, E. (Ed). (2021: pending). Screen Tourism and Affective Landscapes. Edited book.
  • Champion, E. (Ed). (2021?). Assassin’s Creed in the Classroom. TBA. Edited book.

Book Chapters in press

  • Champion, E. (2021: pending). Biodiversity and Cultural Diversity: Virtual opportunities. In E. Wandl-Vogt (Ed.), Biodiversity in connection with Linguistic and Cultural Diversity. Vienna, Austria. I submitted, not sure DOA.
  • Champion, E. (2021: under review). Not Quite Virtual: Techné between Text and World” In Texts & Technology: Inventing the Future of the Humanities, edited by Anastasia Salter and Barry Mauer, University of Central Florida, Orlando Florida USA. Chapter. I submitted, not sure DOA.
  • Champion, E. (2021: under review). Workshopping Game Prototypes for History and Heritage. In Digital Humanities book, Politecnico di Torino, Italy. Aracne Publishing Company. Chapter. I submitted, not sure DOA.
  • Champion, E., & Hiriart, J. (2021: pending). Workshopping Board Games for Space Place and Culture. In C. Randl & M. Lasansky (Eds.), Playing Place: Board Games, Architecture, Space, and Heritage. I submitted, not sure DOA.
  • Champion, E., Nurmikko-Fuller, T., & Grant, K. (2021: pending, invited). Blue Sky Skyrim VR: Immersive Techniques to Engage with Medieval History. In R. Houghton (Ed.), Games for Teaching, Impact, and Research UK: De Gruyter. Abstract accepted, full chapter due March 2021.
  • Champion, E. (2021). Reflective Experiences with Immersive Heritage: A Theoretical Design-Based Framework. In A. Benardou & A. M. Droumpouki (Eds.), Difficult Pasts and Immersive Experiences. London, UK: Routledge.

Pending Edited Journals or Proceedings

  • Ioannides, M., Fink, M., Canton, L., and Champion, E., &H. (Eds.). (2021). Proceedings, EuroMed2020: International Conference on Digital Heritage. Springer: Lecture Notes in Computer Science (LNCS). www.euromed2020.eu

Pending Grant Applications

Awaiting news of European and Australian grant applications.

Upcoming Invited Talks/Keynotes

Journal articles in press

  • Champion, E. (2020: in press). Culturally Significant Presence in Single-Player Computer Games, ACM Journal on Computing and Cultural Heritage (JOCCH). https://dl.acm.org/journal/jocch/ [EDIT: OUT! See next post].
  • Rahaman, H., Johnston, M., & Champion, E. (2020: in press). Audio-augmented Arboreality: Wildflowers and Language. Digital Creativity.

Philosophy in VR

I was intending to propose the following book proposal to a major publisher. I think, with recent events, I will wait until the end of 2020 before I revisit the project/proposal, but any feedback would be useful (too simplistic, not relevant, missing important key ideas etc)..

Below is an abridged extract:

At various conferences over the years, in game studies, virtual worlds, or philosophy of place, I am continually reminded how easily philosophy has been haphazardly inserted into presentations by game, VR, and media studies scholars. But I have also been surprised at the low level of engagement in VR concepts (in terms of computer science and user experience design) by philosophers.

For example, the famous philosopher Hubert Dreyfus conflated the Internet with the World Wide Web in his book On the Internet. The public may not see a distinction between an international organization of servers, and the software that links the webpages that runs on these servers but it is a crucial distinction to make when you are building and deploying VR. However, Professor Dreyfus also made a philosophical and historical error: using Kierkegaard’s and Nietzsche’s criticisms of the 19th century press to extrapolate that they would have hated the Internet (Dreyfus probably meant webpages, not the Internet).

The Internet is now merging, in fits and starts, with VR. There are massive gaps between the popular concept of VR, the development of VR “in the trenches” and the contextual soundness of the philosophers who talk to the public about VR. And very little literature bridging these communities at an accessible and useful level for university students.

This book aims to clarify conflicting interpretations of virtual reality (VR) in a way that would allow beginning scholars to quickly find key philosophers or methods and apply them appropriately to conceptual problems in the development and evaluation of VR projects. It is not a manual to design VR environments, nor a treatise on philosophy to philosophers, but a guide to explaining how even traditional philosophical questions can be re-examined using current and future VR technologies.

Rethinking Virtual Places

I mentioned this before (it went through 3 years of reviews) but the (updated) Rethinking Virtual Places book (97,000 words, approx 30 images) will be published by Indiana University Press in The Spatial Humanities series. Probably in 2021.

1-A Potted History of Virtual Reality
2-Dead, Dying, Failed Worlds
3-Architecture: Places Without People
4-Theories of Place & Cyberspace
5-Rats & Goosebumps-Mind, Body & Embodiment
6-Games are not Interactive Places
7-Do Serious Gamers Learn From Place?
8-Cultural Places
9-Evaluating Sense of Place, Virtual Places & Virtual Worlds
10-Place-Making Interfaces & Platforms
11-Conclusion

A stable directory of great VR experiences

I was asked on ABC radio today if there is an online directory of all the great VR projects (travel, tourism etc). Either that or a way for searching for VR projects by specific formats, directly.

I don’t know of any but there should be-would make a great archival research project as well (reason: challenging!). Should I talk to Google?

Virtual Heritage book

Hello, with eight authors for eight chapters I am proposing a concise guide on virtual heritage to publishers. I believe I have been allowed UNESCO chair/Curtin funding to pay publishing open access fees (so the book can be free as online PDFs) and hopefully reasonably priced to purchase.

I believer we now have two recommendations for external reviewers but we still need to get all author chapter abstracts ready and the proposal to the publisher for approval. Each chapter will be a taut 3500 words with 1-3 images.

Given the book is aimed at graduate or senior undergraduate students who may not be familiar with an overview or specific topics of virtual heritage, what title is best?

Virtual Heritage in Focus?

Virtual Heritage: A Concise Guide?

Also, are we missing an important chapter/theme subject?

Foreword: Classrooms and Projects

Preamble

  1. Past Worlds: Creating and Animating
  2. Gaming Heritage: archaeology and Minecraft
  3. Mixed Reality
  4. Mapping Meaningful Journeys From Ancient Pasts
  5. Photogrammetry at Scale
  6. Photogrammetry for the People: Towards VR
  7. Hybrid Interactions in Museums
  8. Evaluation in Virtual Heritage

Glossary